An enjoyable one woman production, with remarkable attention to detail and fun references throughout.
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How To Win Against History, Ovalhouse – Review
Fabulously flamboyant, wonderfully witty and above all an absolute smash hit.
Read More »Alice In Wonderland, Abney Park -Review
With bubbles, tea parties, hearts and stolen tarts, this show indefinitely represents that they really are all mad here in Wonderland. A fun cast, a fantastic story and an incredible location!
Read More »Waking Beauty, Ovalhouse – Review
Pros: At last a fairy tale to promote LGBTQ equality. Cons: Don’t expect elaborate set and costumes, but focus on the acting. Oval must be one of the cutest Underground stations in London. Coming up the escalator I was welcomed by classical music, pot plants and even a little shelf unit for the book exchange. A white board with the ‘thought of the day’ reminded me that every great action starts with a great dream and set the mood for ...
Read More »The Stripper, St James Theatre – Review
A fun pastiche of classic film noir mixed with a good whodunnit, but with a somewhat outdated plot.
Read More »Fabric, New Wimbledon Studio Theatre – Review
Pros: A brilliant script and a beautiful performance from Nancy Sullivan. Cons: Although intimate, the venue has a dark and airless atmosphere, which can sometimes be uncomfortable. London theatre never fails to surprise me. The latest shock is that the New Wimbledon Theatre has a studio! Like all good studio theatres it stands at the vanguard of new, innovative productions and Fabric is no exception. It tells the story of Leah (Nancy Sullivan) in a one woman, one act play ...
Read More »I’m Getting My Act Together & Taking It On The Road, Jermyn Street Theatre – Review
Pros: Brilliant sound quality and excellent execution. I’d definitely watch this show again. Cons: In the intimacy of a 70-seat studio theatre, I was easily distracted by the obnoxious behaviour of a fellow spectator. Almost every night since 1994, the Jermyn Street Theatre has been welcoming around 70 people into an intimate space once used as a changing room by the staff of an adjacent restaurant. Listed on Google as a ‘tiny fringe theatre for plays & musicals’, this venue ...
Read More »Interview with Owen Calvert-Lyons, Head of Theatre and Artist Development at Ovalhouse
Laura Sampson talks to Owen Calvert-Lyons, Head of Theatre and Artist Development at Ovalhouse, about his new role and what's next for this innovative fringe theatre.
Read More »The Merchant of Venice, Studio 3 Arts – Review
The Merchant of Venice is a thrillingly tangible production full of community spirit.
Read More »CUT, The Vaults – Review
A strong effort to challenge stereotypical theatre and provide a less comfortable viewing experience, favouring the apprehension and suspense it instils. Good performance built on a weaker foundation of plot.
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