Dreamplay director Sarah Bedi discusses the thought processes adapting Strindberg's classic work — and the process of dreaming itself — for the stage.
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Little Shop of Horrors, New Wimbledon Theatre – Review
A delightfully full-blooded revival of the quirky cult musical.
Read More »Thlides, Lion and Unicorn Theatre – Review
A touching, funny and unapologetically absurd exploration of a troubled mind, full of waterslides, Jaffa Cakes and nice one-liners.
Read More »Allegro, Southwark Playhouse – Review
An indelible stamp of quality from the pen of Broadway legends; a great musical just waiting to be discovered.
Read More »Macbeth, The Courtyard Theatre – Review
A valiant effort on this take of Shakespeare’s thriller that intensely scares but falls short emotionally.
Read More »Screens, Theatre503 – Review
Highly enjoyable, funny, thought-provoking and well written, this play is justly housed at one of London's leading fringe theatres for new writing. It's clear there is more to come from both cast and writer.
Read More »Dark Vanilla Jungle, The Cockpit – Review
Harrowing
Read More »Ctrl+Alt+Delete, Camden People’s Theatre – Review
A very brave and empowering production about the relationships between generations and the current political climate.
Read More »King Lear (alone), Lion and Unicorn Theatre – Review
An ambitious project which will please the culture vultures more than the general public.
Read More »Extravaganza Macabre, Battersea Arts Centre – Review
A slapstick tale of love and hate in Victorian London, which has great performative potential.
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