West End/ SOLT venues
We’ve expanded our definition of West End to include those big venues that whilst not physically in the West End, budget wise are very similar. Think of places like Southbank Centre or Royal Albert Hall. Generally these are the venues that are members of the Society of London Theatre and eligible for all the big award ceremonies. Whilst we don’t attend lots of these shows, now and again it’s fun to savour the glitz and glamour they can offer.
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Instructions for American Servicemen in Britain, Jermyn Street Theatre – Review
A funny and somewhat educational course in British culture during WW2, featuring a fair bit of audience participation along the way.
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Macbeth, St Paul’s Church – Review
The Scottish Play with a surreal sci-fi costume twist. Just seven actors tackle the many gory roles, dashing between indoor and outdoor stage areas. The setup is possibly too unorthodox for Shakespeare traditionalists, but it’s invigorating for the rest of…
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Rotterdam, Arts Theatre – Review
A warm hearted and witty show about an underrepresented section of society, albeit slightly unsure of its target audience.
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The Kite Runner, Playhouse Theatre -Review
A successful adaption of a great book that honours the story and hasn’t got bogged down with the glitz and glamour of the West End.
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Kiss Me, Trafalgar Studios – Review
Blending sensitivity, social commentary and a very British sense of humour, Kiss Me is Richard Bean’s inter-war history lesson with heart. Convincing performances and a cocktail of emotions cancel out the minor irritations, making this play one to watch.
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Barber Shop Chronicles, National Theatre – Review
A thought-provoking new play which depicts Africa's longstanding issues and clichés with a good balance of comedy and drama.
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Tape Face, Garrick Theatre – Review
A mime comedy show blending the styles of Buster Keaton and the Marx Brothers, Tape Face provides a selection of updated, not-so -silent film, silliness.
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Blush, Soho Theatre – Review
An insightful and powerful production about the victims and perpetrators of sexual revenge in the digital age.
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This Was a Man, Leicester Square Theatre – Review
Some sparkling performances from the cast, but they are ultimately let down by unimaginative staging that confuses what era the play is set in and compromises the atmosphere.
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The Duchess of Malfi, Saint Giles-in-the-Fields – Review
A slightly rocky but enjoyable ride through this mad, blood-splattered Webster classic.