Reviews
Reviewing is at the heart of what we do. Here you’ll find all the reviews that our wonderful team have written. If you want to find something more specific, why not pick a genre of show instead from the menu.
-
Review: Daisy Doris May: Big Night Out, Soho Theatre
Well-executed character comedy, even if it’s not quite pushing the form just yet.
-
Review: John Proctor is the Villain, Royal Court
The #MeToo movement propels questions into Arthur Miller’s classic, told through the lens of American high schoolers.
-
Review: Carmilla, The Space
When is an opera not an opera? When it’s spoken word, with a live score that dominates rather that complements the story to the point of distraction.
-
Review: Eyes See Song, Etcetera Theatre
Following a successful debut at the 2025 Lambeth Fringe, Eyes See Song provides a vulnerable, courageous space to listen, learn and experience women’s stories, conditioning, and diverse, shared experiences. Author Pid’or Tampa brings her extensive insights as an Integrative Well-being…
-
Review: Catharsis, Bread and Roses Theatre
A slow-burn family reckoning that promises catharsis but settles for confrontation - engaging enough in the moment without ever quite leaving a lasting mark.
-
Review: Many Lifetimes, Sadler’s Wells Lilian Baylis Studio
Yewande 103 creates a stunning alchemical chamber for grief, inviting us to witness a ritual we cannot quite enter.
-
Review: The Island Of Moor, The Hope Theatre
A captivating mystery drama following one determined individual through uncertain times; a large character filling his own small world.
-
Review: The Present Is Not Enough, Battersea Arts Centre
A cross between performance art, theatre and dance that’s often impenetrable and opaque.
-
Review: Consumed, Park Theatre
Family ties and divisions in the shadow of the Troubles.
-
Review: The Old Ladies, Finborough Theatre
Strong performances and gothic design cannot rescue this geriatric 1935 thriller from feeling like a museum piece.