Reviews
Reviewing is at the heart of what we do. Here you’ll find all the reviews that our wonderful team have written. If you want to find something more specific, why not pick a genre of show instead from the menu.
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Review: Measure For Measure & Julius Caesar – Dirty Politics Double Bill, Golden Goose Theatre
An intriguing historical experiment that struggles to translate into compelling theatre.
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Review: The Comfort Woman, Omnibus Theatre
A devastating solo performance with a beautiful score, exposing the truth behind wartime “comfort stations”.
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Review: Pews At Ten, The Space
A lovingly constructed comedy that celebrates Wales, intergenerational friendship, and Tom Jones.
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Review: Marie & Rosetta, Soho Place
A powerhouse performance from Beverley Knight makes Marie & Rosetta sing, even when the script holds it back.
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Review: Playing Shakespeare: Romeo & Juliet, Shakespeare’s Globe
A wheely contemporary 90-minutes that may be designed for young people, but cuts just as deep with Noble Houses divided down streetgang lines as BMX’s circle a graffiti-splattered Globe.
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Review: Age Is A Feeling, Soho Theatre Walthamstow
Hayley McGee is one of those special solo voices that can make you smile about human life and aging whilst wanting to cry your heart out
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Review: The Lost Art of Keeping a Secret, Jack Studio Theatre
Hidden secrets threaten the harmony of a student household. As first-years try to fit in and get along, can they overcome the baggage of their previous lives?
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Review: Mary, Queen of Scots, Sadler’s Wells
A visually stunning and psychologically rich triumph
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Review: 16 Postcodes, King’s Head Theatre
Charming vignettes of modern London discovered in a life formed around postcodes
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Review: Ballet de Lorraine: Acid Gems and a Folia, Queen Elizabeth Hall
A company with international distinction delivers a contemporary physical display of high-octane dance that incorporates moves and shapes from both the street and the classical world. A must see!