Opera
Contrary to the opinions of some, opera is so much more than the fat lady singing. Whilst opera does still struggle with a reputation of only being for the rich and upperclass, there are plenty of companies making opera for the fringe audience and we’ll always here for that!
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Review: Sirena, The Glitch
Short, contemporary opera giving modern sirens a voice in the 21st century. Atmospheric, humorous and as mesmerising as the myths would have us believe.
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Interview: A twist on an ancient tale for a modern world
Basil Twist talks about Book of Mountain and Seas There is some top talent heading to the Edinburgh International Festival this summer, perhaps none more legendary in their field than designer Basil Twist, whose puppetry work on My Neighbour Totoro…
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Review: The Marriage of Figaro, The Cockpit
A fun fling that makes for a great first time at the opera.
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Review: Dic Dic Chang Chang Playground, Edfringe
A charming introduction to Cantonese Opera, with engaging physicality, gorgeous costumes and no small amount of fun!
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Review: Testament at Grimeborn, Arcola Theatre
A sumptuous feast of music, superbly sung and played, but lacking a convincing common thread to pull the elements together.
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Review: The Magic Flute, Greenwich Theatre
An ambitious, thought-provoking production of Mozart’s fantastical opera, performed with style and expertise.
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Review: The Merry Widow, Festival Theatre
A fantastic rendition, dazzling both veterans and those new to opera with a humorous and charming take on a show over a century old.
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Review: The Magic Flute, Wilton’s Music Hall
You’ll leave whistling the tunes and admiring the singers, but a perfunctory libretto and some wayward production choices won’t quite win your heart.
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Review: Lear by National Changgeuk Company of Korea, Barbican Centre
Beautiful, epic and arresting
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Review: T555: Verlaine En Prison, Arcola Theatre
A poetic glimpse into a troubled genius’ mind and life.