Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
-
Billy the Kid, Rosemary Branch Theatre – Review
A fun, silly, intimate Christmas panto. Definitely worth trying to get a ticket, but remember the front row is only for the brave...
-
Pathos, The Vaults – Review
An inventive and playful exploration of both the darker and lighter sides of love.
-
124 Fallout, Toynbee Studios – Review
A compelling topic that could’ve been explored more convincingly in a different format.
-
127: Hands Off, Toynbee Studios – Review
Unengaging and futile, this piece is not likely to satisfy gamers or non-gamers.
-
The Nutcracker and the Mouse King, Unicorn Theatre – Review
A child’s imagination will whisk you away to faraway lands populated by princesses, mice and monsters, and will leave you feeling the Christmas spirit.
-
Run, New Diorama Theatre – Review
Intriguing and entertaining, this show will make you think twice about the people behind the BlackBerry smarthphones and the suits.
-
Talking/Making/Taking Part at Ovalhouse – Review
A rewarding two-day festival during which participants got involved in lively discussions, interactive installations and brilliant performances.
-
Loaded, Jack Studio Theatre – Review
The speed of the dialogues and rollercoaster relationships keep you captivated for the entire hour of this one act play.
-
The Libertine Has Left The Building, Mimetic Festival – Review
An entertainingly intelligent and unexpectedly personal evening spent with a performer who steadfastly refuses to conform to anyone’s stereotype.
-
Blackout, Hope Theatre – Review
A play that sheds light on an important subject but can be alienating to audiences who haven't suffered from addiction.