Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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Hotel For Criminals, New Wimbledon Studio – Review
Deserving of its cult status, Hotel For Criminals combines an incredible cast and creatives to create a unique world all of its own.
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From Ibiza to the Norfolk Broads, Waterloo East Theatre – Review
A delight of music and imagery for any Bowie fan, and a show-stealing performance from Alex Wilton in this emotional journey through London.
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The House of Usher, The Hope Theatre – Review
Misconceived musical version of Edgar Allan Poe’s gothic masterpiece.
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Plastic Figurines, New Diorama Theatre – Review
This play is magical and heartfelt, yet hard-hitting as it explores the impact of death and autism.
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Land of the Three Towers, Camden People’s Theatre – Review
Pros: Has a strong social message Cons: Not particularly theatrical I had already visited the main stage of Camden People’s Theatre to watch another show on the evening when I saw Land of the Three Towers, but hadn’t seen (or even…
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Spiral, Bread and Roses Theatre – Review
A ragbag assembly of seven short plays results in a genuinely entertaining evening, veering between comedy and pathos while presenting fresh new ideas.
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Girl From Nowhere, St James Studio – Review
Victoria Rigby is electrifying as a classic ‘60s rock chick.
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Skin A Cat, The Bunker – Review
A marvellous debut play in this new venue that offers great promise of what else The Bunker may bring to the London theatre scene in the future.
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The Book Club, King’s Head Theatre – Review
A funny, well observed study of a woman searching for a new direction in life.