Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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I Call My Brothers, Gate Theatre – Review
A play about terrorism that approaches a hot topic with lukewarm arguments.
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Lunar Shadows, Greenwich Dance – Review
A strong and unique dance piece examining displacement.
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The Worst Was This, Hope Theatre – Review
Shakespeare’s greatest hits with a hint of Frankenstein make for an innovative and entertaining new take on the Bard’s work.
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The Beggar’s Opera,
Fresh and powerful, this production is a well thought out adaptation of a much loved play.
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F*cking Men, The Vaults – Review
Pros: Superb cast, strong script and beautiful direction Cons: Unavoidable noise from outside the venue I had the pleasure of seeing this play in 2009 during one of its numerous sold out runs at the wonderful Kings Head Theatre in…
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London Stories: Made by Migrants, Battersea Arts Centre – Review
Pros: Moving, inspiring and eye-opening. This experience should be part of every school programme. Cons: There is a fair amount of walking up and down the stairs involved so, if you have any access requirements, let the box office know…
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Quint-essential, Peacock Theatre – Review
A fun, easy-to-consume show that would be great for anyone looking to give something new a go; a production that allows you to sample a range of ballet to work out what you may want to see more of.
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Strindberg’s Women: ‘The Stronger’ and ‘Storm’, Jermyn Street Theatre – Review
A well-constructed duo, but ultimately let down by lacklustre content.
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A Doll’s House, Secret location in London – Review
A confronting, challenging and compelling adaptation that engages with love and domesticity to evoke a keen sense of discomfort.
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Still Ill, New Diorama – Review
Pros: Brilliant cast, sustained rhythm and a clear script Cons: Although the play is perfectly delivered, the theme is such that the show might seem a bit too long Inside the New Diorama Theatre there are orange seats and a…