Rachael Simmons
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Strindberg’s Women: ‘The Stronger’ and ‘Storm’, Jermyn Street Theatre – Review
A well-constructed duo, but ultimately let down by lacklustre content.
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Cathy Come Home, Barbican Theatre – Review
Still raw and still relevant, Cathy shines a light once again on the misconceptions surrounding poverty and homelessness.
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Savage, Above the Arts – Review
An interesting but isolated story of the unseen atrocities of the ‘homosexual cure’ in Third Reich occupied Denmark.
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The Flying Lovers of Vitebsk, Shakespeare’s Globe – Review
A touching, enriching and intimate portrait of lasting love.
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Phaedra(s), Barbican – Review
An emotionally raw trilogy which challenges as much as it intrigues.
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DiaoChan: The Rise of the Courtesan, Arts Theatre – Review
A breath of fresh air, this well-constructed and intoxicating play deserves a full house every night!
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REMOTE, Camden People’s Theatre – Review
A fantastic concept sadly hampered by a confusing plot & indeterminate sincerity.
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A Flea in her Ear, Tabard Theatre – Review
A fast, furious and funny farce with unpolished charm.
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Coach Coach, Soho Theatre – Review
A story of hard balls and soft hearts. Hilarious and a slice of American Pie.
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The Young Visiters, Tabard Theatre – Review
A riot of colour and laughter. It’s an absolute joy to watch and feel part of this curious take on…
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