Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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Chinglish at Park Theatre – Review
This show will transport you to China and make you fall in love with every single character.
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Custody, Ovalhouse – Review
A raw, visceral and, above all, human show. Powerful poetry in play form. Everything theatre should be.
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Incident at Vichy, Finborough Theatre – Review
This Holocaust drama is powerful in its message and delivery, while maintaining a subtlety and elegance in its execution.
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The Caucasian Chalk Circle, Greenwich Theatre – Review
Pros: Interesting staging, combined with well-rehearsed choreography and movement. Cons: A tad confusing at times and doesn’t work hard enough to fulfil Brecht’s wish of making the audience think. Brechtian theatre is difficult, both in meaning and in staging, so any…
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Escape the Scaffold, Theatre 503 – Review
An ambitious, if occasionally incoherent, production.
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A Woman Alone, Etcetera Theatre – Review
Misses the mark on Fo’s biting, dark comedy.
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Big Guns, The Yard Theatre – Review
A pioneering piece of theatre with a provocative script that promises maybe a little too much.
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Heads Up, Battersea Arts Centre – Review
60 minutes of genius writing that is not to be missed.
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Tamburlaine, Arcola Theatre – Review
Ng Choon Ping's forward-thinking production of this Marlowe classic struggles to overcome the limitations imposed by an insufficient cast and the Elizabethan language.
