Fringe/ OffWestEnd
We could argue for hours what makes a fringe theatre venue, and even then we doubt we’d come to a satisfactory definition. So to keep it simple, fringe here simply means the wonderful little venues, generally less than 100 seats, often located above or below or next to pubs, and very much at the heart of our theatre world, where all the magic usually starts.
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Review: Slippery, Omnibus Theatre
A sophisticated, sensory exploration of the emotional spaces created by addiction and grief in a queer world.
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Review: Vincent in Brixton, Orange Tree Theatre
A beautifully acted, expertly written imagining of Van Gogh’s early days that tackles questions about art, love and happiness without resorting to the familiar or predictable.
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Review: Welcome To Pemfort, Soho Theatre
Big questions with deep empathy and a spectacular performance from Sean Delaney
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Review: My Brother’s A Genius, National Youth Theatre
A grime-fuelled, raw, neurodivergent sibling story.
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Review: Takımyıldızları / Constellations, Arcola Theatre
Stripped back, minimalist two-hander.
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Review: RUTH, Wilton’s Music Hall
A strong central performance cannot save this show from its lack of depth and structural weaknesses.
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Review: Where There Is No Time, Seven Dials Playhouse
A high-fashion drama that gets lost in the big picture.
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Review: Phoenix Rising: Bar Staff Takeover Cabaret, Phoenix Arts Club
An inspired idea that celebrates the talent behind the bar and despite mixed results is an entertaining and admirable fundraiser
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Review: Panacea, Riverside Studios
A bold, brainy tragedy wrestling with science, sanity, and saving the world
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Review: Aether, Jermyn Street Theatre
An idea-driven show full of wit and wonder to reward attentive audiences.