Features
Our features are often a chance for us to talk about those aspects of theatre that we may not cover in the reviews or interviews.
Many of our features are one-off articles, maybe about an event we’ve been to, or something that is happening. But we also have plans for feature series, so watch this space.
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CASA Festival and the Importance of Collaborative Partnerships
CASA Festival artistic director Daniel Goldman describes how the festival's international mission relies on joining forces with London's top theatres.
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Voices on Accessibility: Shakespeare’s Globe and Turtle Key Arts
Marianna Meloni speaks with representatives two of London's leading arts organisations to discover how the theatre world is making their work accessible to audiences.
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Opera in the City Festival Brings Accessible Opera to the Bridewell Theatre
A new August festival brings accessible opera at affordable prices to the heart of the City.
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Adrian Berry on the Postcard Festival at Jackson’s Lane
Jackson's Lane Artistic Director Adrian Berry gives insights into bringing this year's Postcards Festival to life.
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Going for the Gut in ‘Mumburger’
'Mumburger' playwright Sarah Kosar shares how her 'stomach-churning' new play goes straight for the gut.
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Bringing ‘Kiss Me’ to the West End Stage
Actress Claire Lams shares her journey of bringing 'Kiss Me' to the Trafalgar Studios — and why it pays to complain.
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What’s in a BAME Name? Stretching the Limits of Diversity Casting
Writer/director Nick Myles explains how he discovered there's more to diversity casting than meets the eye.
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Paul Hart of Watermill Theatre on Reaping Rep’s Benefits
Watermill Theatre Artistic Director Paul Hart on the benefits of the theatre's repertory system and why this theatrical tradition is worth keeping alive.
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Beyond the Big Top: Contemporary Circus & Compagnie XY’s ‘It’s Not Yet Midnight…’
Roundhouse circus producer David Pitt on Compagnie XY's 'It's Not Yet Midnight...' and what to expect from contemporary circus.
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Don’t Stop ‘Til You Get Enough…
….Thriller Live certainly hasn’t! The show opened at London’s Lyric Theatre in January 2009, just a few months before Michael Jackson’s death, and has stayed put ever since. It had already broken the Lyric Theatre’s record for longest running production when,…