Drama
A staple for us and for many if you fancy a more traditional play. When we first started Everything Theatre it was specifically to review drama. We’ve branched out over the years, but it will always be a favourite of ours.
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King Lear, Jack Studio Theatre – Review
A stunning cast and pitch-perfect delivery that’s full of clever ideas. This is an exemplar of Shakespearean theatre.
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Macbeth, Jacksons Lane – Review
Sitting in a busy Jackson’s Lane auditorium five minutes in to Proteus Theatre’s Macbeth I was smiling, totally convinced by the setting and excited about what was to come. Presumably thanks to the involvement of movement consultant, George Mann, the…
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Othello, Union Theatre – Review
Shakespeare’s tale of deceit and malice is not an easy one to stage. Even with an interesting re-contextualisation set in the British Raj in 1919, the production at the Union Theatre fails to fully own this mammoth play. The ‘green-eyed…
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We Know Now Snowmen Exist, The Space – Review
We Know Now Snowmen Exist takes its inspiration from real life, if very loosely. In 1959 nine people died during a trek in the Dyatlov Pass, Russia, in some very strange circumstances indeed. It’s an incident that has become so…
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In Basildon, Queen’s Theatre Hornchurch – Review
“I am authentic Basildon, I am”, is the phrase with which we are welcomed to the regional premiere of In Basildon, the hit show by David Eldridge, that opened to critical acclaim at the Royal Court in 2012. Although the…
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The Silence of Snow: The Life of Patrick Hamilton, Jack Studio Theatre – Review
The charming Jack Studio Theatre in South East London excels at historic drama productions, and the The Silence of Snow: The Life of Patrick Hamilton is another fine string in their bow. Mark Farrelly plays the great English writer Patrick…
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Blood Knot, Orange Tree Theatre – Review
What can a play tell us about the world – more than half a century after its debut? I may as well ask why people still watch Shakespeare, but in the case of recent history, I always find myself wondering.…
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Pain(t), New Wimbledon Theatre – Review
Spectators expecting to receive an interpretation of Richard Foreman’s Pain(t) might be utterly disappointed, as this play is intended to be entirely devoid of meaning. This is by admission of Patrick Kennedy, the creative mind behind this European premiere of…
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Feed, The Vaults – Review
Feed presents the surreal and dangerous of online life - high melodrama rather than social critique.”
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The Project, White Bear Theatre – Review
It’s 1942 in a transit camp in Holland. Four Jewish detainees make up the camp’s concert party: impresario Victor (Lloyd Morris), dancer Anna (Faye Maghan), her sister Millie (Eloise Jones) and Anna’s lover Peter (Nick Devallé). When Millie discovers that…