Dance
From ballet to physical theatre, some of the most powerful performances are all about movement. We’re not experts in dance by any means, but we’re always willing to give it a go and you’ll find our honest and unpretentious opinions here.
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Review: Dewey Dell: The Rite of Spring, Southbank Centre
A refreshing take on The Rite of Spring that is fascinatingly bizarre.
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Review: Songs of the Wayfarer, Lilian Baylis Studio
Claire Cunningham delivers a wonderfully inclusive performance that all together create something greater than the sum of its parts.
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Review: NOBODADDY, Sadler’s Wells
Michael Keegan-Dolan’s groaning cornucopia of a show with company Teaċ Daṁsa outstands, outsmarts, and exhausts in equal measure.
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Review: Fairytales for Grown-Ups: Strange Girls, Beautiful Monsters, Folklore Hoxton
Storytelling lives on: the Crick Crack Club's bold and vibrant take on fairytales pays homage to an enchanting tradition.
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Review: The Snowman, Peacock Theatre
A cozy Christmas classic which will leave you feeling nostalgic.
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Review: GIGENIS: The generation of the earth, Sadler’s Wells
A stunning show that demands attention.
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Review: U-Bu-Su-Na, Coronet Theatre
A dazzling dance of darkness that embraces alternative ways to understand the human place in the world.
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Review: Selecting a Ghost, Stanley Arts
A spirited mashup of Victorian gothic satire and contemporary dance that offers plenty of spooky fun.
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Review: The Rite of Spring / common ground[s], Sadler’s Wells Theatre
A double bill that roots audiences in the nature of humanity and transgresses the boundaries of traditional dance.
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Review: Stories, Peacock Theatre
Stunning performances, ingenious design and compelling choreography