Rob Warren
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The Pitchfork Disney, Ovalhouse – Review
The Pitchfork Disney, Philip Ridleyās debut 1991 play, aims to do two things. Firstly, to disturb the audience (it was…
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Killymuck / Box Clever Double bill, The Bunker – Review
Social inequality is the theme that binds Killymuck and Box Clever together, a double bill of one woman shows at…
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Wolfie, Theatre503 – Review
Wolfie is a play that is surely destined for a longer life than its few weeks at Theatre503
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She’s A Good Boy, Battersea Arts Centre ā Review
Homegrown Festival: Occupy He. She. Him. Her. They. Such little words but with so much meaning. But as Elise Heaven…
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High Rise Estate Of Mind, Battersea Arts Centre -Review
Homegrown Festival: Occupy There is an incredible buzz in the building tonight for the grand opening of Battersea Arts Centreās…
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We Know Now Snowmen Exist, The Space ā Review
We Know Now Snowmen Exist takes its inspiration from real life, if very loosely. In 1959 nine people died during…
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Frankenstein: How To Make A Monster, Battersea Arts Centre – Review
Only last week I was writing āhow adults can instil a sense of adventure into childrenā. Those words rung even…
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A Hundred Words For Snow, Trafalgar Studio 2 ā Review
Reminds us that the world can be such a wonderful place.
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Three Shades, Ram Jam Records, Kingston ā Review
A bare footed lady, head to foot in black, slowly walks from behind us to the stage. Itās a compelling…
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There Is A Field, Theatre503 – Review
Mark (Sam Frenchum) is from a typical East End family, working class to the core. Except Mark has gone off…
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