Rob Warren
Someone once described Rob as "the left leaning arm of Everything Theatre" and it's a description he proudly accepted. It is also a description that explains many of his play choices, as he is most likely to be found at plays that try to say something about society. Willing though to give most things a watch, with the exception of anything immersive - he prefers to sit quietly at the back watching than taking part!
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Review: Last Sales Conference of The Apocalypse, Waterloo East
Great musicality, wonderful choreography, clever lighting and visuals
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Review: Death and the Maiden, The Questors Theatre
An interesting and worthwhile evening out.
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Review: Flashbang, Lion and Unicorn Theatre
Flashbang is full of the usual Proforca magic
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Review: Glassboy, Camden Fringe 2022
A play that seems to have everything right, from performance to sound to script
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Review: Crone, Camden Fringe 2022
Something unique and bizarre that makes for perfect end of the night viewing.
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Review: Million Piece Jigsaw, Camden Fringe 2022
Full of soft humour and insightful behaviour
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Review: Delusions and Grandeur, Camden Fringe 2022
Karen Hall asks what she would be without her cello.
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Review: Keep It Down, Camden Fringe
A powerful and insightful play about an eating disorder.
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