Nathan Blue
Nathan is a writer, painter and semi-professional fencer. He fell in love with theatre at an early age, when his parents took him to an open air production of Macbeth and he refused to leave even when it poured with rain and the rest of the audience abandoned ship. Since then he has developed an eclectic taste in live performance and attends as many new shows as he can, while also striving to find time to complete his PhD on The Misogyny of Jane Austen.
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Noah and The Peacock, Online from Nottingham Playhouse – Review
Fun retelling of Noah’s Ark for very young children
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THE Mikvah Project, Orange Tree Theatre – Review
Superb drama of growing pains and sexual confusion
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Love, Loss & Chianti, Riverside Studios – Review
This pair of stylistically different but equally affecting 50 minute pieces by Christopher Reid are well-pitched to straddle the interface…
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The Cutting Edge, Arcola Theatre – Review
Flavourless drama about art and country living
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Musik, Leicester Square Theatre – Review
Frances Barber shines in a romping musical showcase
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Julius Caesar, Lion & Unicorn Theatre – Review
Superb distillation of Shakespeare’s Roman tragedy
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Before I Was A Bear, The Bunker – Review
Superbly performed fable of friendship and sexuality
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