CabaretEdinburgh FestivalReviews

Review: Stitch in Time: A Knitting Cabaret, theSpace @ Surgeons’ Hall 

Edinburgh Fringe Festival 2026

Rating

Good

Songs, history and wool make for a charming hour of performance.

Stitch in Time: A Knitting Cabaret is a rather distinctive production. Canadian performer Melanie Gall takes to the stage dressed in 1940s clothing, wearing a hat that features balls of wool with knitting needles sticking right through them. There’s a vintage radio mic before her and she’s come fully equipped with a range of songs all about knitting along with a whole history of information about the subject. 

This is a quirky and rather charming show that has more depth than you might initially imagine.  What’s interesting about knitting, right? Starting at World War One, Gall takes us through a series of stories that reveal fascinating information about social history, wartime, romance, and even discloses some embarrassing family secrets. We learn how knitting was until relatively recently a skill taught to both males and females at school and how wartime spies and prisoners were able to trick the enemy with woolly diversions. There are amusing anecdotes about crossing international borders, given access because she is a singer of knitting songs. Gall is a warm and engaging character who happily owns the modern peculiarity of being a knitter, sure in the knowledge that things haven’t always been that way, and it can actually be quite cool (ask Harry Styles!)… 

Each story is punctuated by a knitting song from her curated collection. These have an international spread, and often lean into music hall styling, which keeps the performance joyfully upbeat and cheery. Of course, the rhymes are often limited to ‘sitting’, ‘kitten’, ‘mitten’, but the stories within and around them are fun. Who would suspect that Glen Miller’s final work before his mysterious demise was a knitting song? 

The show is quite informal and, we’re told, compressed from a two-hour production into one hour for the Fringe. With an excited host eager to share her passion, it feels a little frenetic at times, but genuinely enthusiastic and authentic. 

If you’ve never considered a yarn about yarn for your Edinburgh Fringe fix, maybe think again. In the pleasant company of Stitch in Time you won’t be disappointed. 


Written by: Melanie Gall 

Stitch in Time: A Knitting Cabaret runs at theSpace @ Surgeons’ Hall until Saturday 29 August as part of the Edinburgh Fringe Festival. 

Mary Pollard

Head Editor at ET, by her own admission Mary goes to the theatre far too much, and will watch just about anything. Her favourite musical is Matilda, which she has seen 18 times, but she’s also an Anthony Neilson and Shakespeare fan - go figure. Mary now insists on being called The Master having used the Covid pandemic to achieve an award winning MA in London's Theatre and Performance. She's a specialist in Theatre for Young Audiences (TYA) and has recently been collaborating with Polka Theatre to deliver masterclasses on reviewing it. Her other obsession is puppetry, and in 2024 she was awarded the British Puppet Guild's President's Plate by Ronnie Le Drew. In recent years she's overseen several awards categories for multiple organisations, including TYA for the Offies and TYA, Puppetry and Access for the Fringe Theatre Awards - and of course who knows what at the Etties!

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