Nathan Blue
Nathan is a writer, painter and semi-professional fencer. He fell in love with theatre at an early age, when his parents took him to an open air production of Macbeth and he refused to leave even when it poured with rain and the rest of the audience abandoned ship. Since then he has developed an eclectic taste in live performance and attends as many new shows as he can, while also striving to find time to complete his PhD on The Misogyny of Jane Austen.
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Frankenstein, Jack Studio Theatre – Review
An ambitious new take on the gothic masterpiece.
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Holding The Man, Above The Stag Theatre – Review
Efficient revival of a lightweight gay love story
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And the Rest of me Floats, Rose Lipman Building – Review
A fabulously inventive and insightful journey into gender identity.
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Outlaws to In-Laws, King’s Head Theatre – Review
Seven short plays effectively chart the course of recent gay history.
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Bodies, Royal Court Jerwood Theatre Upstairs – Review
An ambitious and far-reaching exploration of family, fertility and international surrogacy.
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When Harry Met Barry, Above The Stag Theatre – Review
Delightful musical rom-com with an instantly loveable cast.
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The Treatment, Almeida Theatre – Review
Pros: Sophisticated and unusual storytelling Cons: A lack of clear narrative intention [review] 38 performers! That’s how many are credited…
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Whisper House, The Other Palace – Review
Unexceptional wartime musical with superfluous spooks.
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We Raise Our Hands In The Sanctuary, The Albany – Review
An ambitious play about the 1980s gay club scene underscored by a thrilling dance beat.
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