Mary Pollard
Head Editor at ET, by her own admission Mary goes to the theatre far too much, and will watch just about anything. Her favourite musical is Matilda, which she has seen 18 times, but she’s also an Anthony Neilson and Shakespeare fan - go figure. Mary now insists on being called The Master having used the Covid pandemic to achieve an award winning MA in London's Theatre and Performance. She's a specialist in Theatre for Young Audiences (TYA) and has recently been collaborating with Polka Theatre to deliver masterclasses on reviewing it. Her other obsession is puppetry, and in 2024 she was awarded the British Puppet Guild's President's Plate by Ronnie Le Drew. In recent years she's overseen several awards categories for multiple organisations, including TYA for the Offies and TYA, Puppetry and Access for the Fringe Theatre Awards - and of course who knows what at the Etties!
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Reviews
Mary Pollard12 December 2022Review: Grandad, Me and Teddy Too, Polka Theatre
As intricate as a cobweb and as gentle as a cloud.
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Reviews
Mary Pollard9 December 2022Review: Little Red Riding Hood, Battersea Arts Centre
A rather unsophisticated panto.
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Reviews
Mary Pollard2 December 2022Review: The Wind in the Wilton’s, Wilton’s Music Hall
An exuberant, crafted story
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Reviews
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Reviews
Mary Pollard25 November 2022Review: Henry V, Shakespeare’s Globe
A wholly timely and considered deconstruction of a classic play.
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Reviews
Mary Pollard24 November 2022Review: Pea, Puppet Theatre Barge
A hugely enjoyable contemporary fairy tale
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Interviews
Mary Pollard23 November 2022Interview: Let’s Go Once More Unto The Breach
James Cooney on performing in Henry V at Shakespeare's Globe
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Reviews
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Interviews
Interview: The Card-Bard Returneth
Sam Wilde on bringing The Fir Tree to Shakespeare’s Globe
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Reviews
Review: Daytime Deewane, Half Moon Theatre
An exceptional, joyously buzzing piece of immersive gig theatre.
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