Mary Pollard
Head Editor at ET, by her own admission Mary goes to the theatre far too much, and will watch just about anything. Her favourite musical is Matilda, which she has seen 18 times, but she’s also an Anthony Neilson and Shakespeare fan - go figure. Mary now insists on being called The Master having used the Covid pandemic to achieve an award winning MA in London's Theatre and Performance. She's a specialist in Theatre for Young Audiences (TYA) and has recently been collaborating with Polka Theatre to deliver masterclasses on reviewing it. Her other obsession is puppetry, and in 2024 she was awarded the British Puppet Guild's President's Plate by Ronnie Le Drew. In recent years she's overseen several awards categories for multiple organisations, including TYA for the Offies and TYA, Puppetry and Access for the Fringe Theatre Awards - and of course who knows what at the Etties!
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Reviews
Mary Pollard17 August 2023Review: The Tortoise and the Hare, Little Angel Theatre
A cheerfully colourful, choreographed, captivating and crazy show
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Interviews
Interview: Thunderbirds are …gone??
Award-winning puppet artist Oliver Hymans on endangered marionettes
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Reviews
Mary Pollard14 August 2023Review: Suitcase Circus, Little Angel Theatre
A comical, conspiratorial hour of fun and nonsense
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Interviews
Mary Pollard14 August 2023Interview: A sustainable summer for creative kids
Sam Wilde discusses Boxville at LAT Children’s Puppet Festival
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Reviews
Mary Pollard12 August 2023Review: Where the Water Falls, Little Angel Theatre
A delightful debut production
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Reviews
Review: Breathe, Little Angel Theatre
A breathtakingly intricate and exciting trip to the forest floor and beyond
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Interviews
Interview: Another Slice of Bacon
Director Matthew Iliffe on the continued life of Bacon
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Interviews
Interview: A festival of firsts from Little Angel Theatre
Ash Appadu's debut production at Little Angel Theatre's first Children's Puppetry Festival
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Interviews
Mary Pollard3 August 2023Interview: Taking family theatre up a level
Loretta Hope on the ups and downs of Roger McGough’s Money-Go-Round
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Reviews
Mary Pollard2 August 2023Review: This Girl – The Cynthia Lennon Story, Upstairs at the Gatehouse
A musical that has potential. It is clearly made with affection, but is currently lacking in rigour.
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