Marianna Meloni
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Train Lord, Bakehouse Theatre, Studio (Adelaide Fringe) – Review
A story of failure, recovery and an endless migraine.
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The Daughters of Róisín, Bakehouse Theatre, Mainstage (Adelaide Fringe) – Review
Wearing a long white night gown, a young woman stands in the middle of the room. Her natural platinum locks…
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Eleanor’s Story: An American Girl in Hitler’s Germany, Owl Room at Gluttony – Masonic Lodge North Terrace (Adelaide Fringe)– Review
The story of a young girl who found herself trapped with her family in Nazi Germany
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The Boy My Father Raised, Star Theatre Two Theatre (Adelaide Fringe) – Review
the complex emotional relationship between the perpetrator and their victims.
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Post-Mortem, Holden Street Theatres The Studio Theatre (Adelaide Fringe) – Review
Emotionally charged movement and polished production values serve a feast for the eyes and for the soul.
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A Thousand Cranes, Adelaide City Parkland 18 (Adelaide Fringe) – Review
exposing the long-term backlash of the Hiroshima bombing through the eyes of a young gir
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S-27, The Breakout at The Mill (Adelaide Fringe) – Review
Audiences are left with the open question of what one is willing to do for survival
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Dangerous Liaisons, Bridewell Theatre – Review
An original dance adaptation of a classic French novel
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The Open, The Space – Review
A clever storyline that is hindered by a weighty script and too many inconsequential elements
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The Escape Act: A Holocaust Memoir, Jackson’s Lane – Review
The touching and unlikely escape of a Holocaust survivor
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