Lily Middleton
Lily is a freelance copywriter, content creator, and marketer, working with arts and culture clients across the UK. When not working, she can be found in a theatre or obsessively crafting. Her love of theatre began with musicals as a child, Starlight Express at the Apollo Victoria being her earliest memory of being completely entranced. She studied music at university and during this time worked on a few shows in the pit with her violin, notably Love Story (which made her cry more and more with each performance) and Calamity Jane (where the gunshot effects never failed to make her jump). But it was when working at Battersea Arts Centre at the start of her career that her eyes were opened to the breadth of theatre and the impact it can have. This solidified a life-long love of theatre, whether in the back of a pub, a disused warehouse or in the heart of the West End.
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Review: Angela, online @ The Lyceum
A raw and moving radio play celebrating the life of a much-loved mother.
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Review: Digital Sharing 1, online @KickItDown Productions
Three shows that create heartfelt and emotional connections with the audience
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Review: Digital Sharing 2, online @KickItDown Productions
A very enjoyable collection of shows with high production values.
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Review: Always on my Mind, online @ Living Record Festival
An intriguing chance to eavesdrop on the dissection of a relationship
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Review: Love in the Time of Corona, online @ YouTube
An interesting idea exploring how lockdown forces a hedonistic man to change his ways
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Review: The Stove, online @ Living Record Festival
A comforting hour of storytelling and escapism, led with warmth by Emma Brand.
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Review: Heads or Tails, online @ Living Record Festival
A one-woman show that tackles the eternal questions of life and death
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Review: We Ask These Questions of Everybody, online @ Sound Festival 2021
An interesting use of words and music to present some uncomfortable truths.
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