Irene Lloyd
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The End of History, St Giles in The Fields Church – Review
Pros: Strong performances from Sarah Malin and Chris Polik. Cons: The hard benches…OK for an hour though. The End of…
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Stitchers, Jermyn Street Theatre – Review
Pros: The beautifully written script and the performances of Sinead Cusack and Michael Cardone, closely followed by the remainder of…
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A Midsummer Night’s Dream, Greenwich Theatre – Review
A fresh, energetic and funny adaptation of a well known Shakespeare favourite. Lives up to the claim of being an…
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Morgan & West: Time-Travelling Magicians, Wilton’s Music Hall – Review
Mellifluous, masterly magic presented for your edification by waggish, whiskered, wizards. Suitable for oldlings and younglings alike.
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The Bekkrell Effect, Roundhouse – Review
A humorous and entertaining display of acrobatics by skilled performers who make it look deceptively easy.
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Lord of the Flies, Greenwich Theatre – Review
This stage adaptation of Lord of the Flies is made emotional and thought-provoking by the unified strength of the performances,…
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Glass Roots, Tristan Bates Theatre – Review
Interesting questions raised about bullying and racism in this restaurant setting, but the actions were slightly repetitive and nothing is…
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Harold and Maude, Charing Cross Theatre – Review
Pros: Sheila Hancock owning the stage, with a good foil in Bill Milner. Cons: Lacks a bit of sparkle. Harold (Bill…
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Carmen 1808, Union Theatre – Review
A lively and enjoyable mix of operatic and west end musical style songs, incorporating some excellent dance routines, with passion,…
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Doodle the Musical, Waterloo East Theatre – Review
A very amusing musical mocking the tropes of WWII films.
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