Irene Lloyd
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All’s Well That Ends Well, Jermyn Street Theatre – Review
Enjoyable and humorous scaled down version with good performances and an excellent sound track.
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Soho Cinders, Charing Cross Theatre – Review
Exuberant and funny musical based on the Cinderella fairy tale
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The Hunchback of Notre Dame, Saint Paul’s Church, Covent Garden – Review
Flowers, bunting, colourful lights, what’s not to like?
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Bare: A Pop Musical, The Vaults – Review
Originally performed in 2000, Bare: a Pop Opera is starting to show its age. Set in the senior year of…
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Little Death Club, Underbelly – Review
Black clad, sparkly and glamorous, Bernie Dieter is the suitably bawdy host to the Little Death Club, inspired by the…
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Scary Bikers, Trafalgar Studios 2 – Review
I volunteered to cover this without knowing anything about it, and when I had a quick look at some blurb…
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Mary’s Babies, Jermyn Street Theatre – Review
Mary’s Babies is inspired by true events. From the 1940s through to the early 60s, Mary Barton and Bertold Wiesner…
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Yamato – Passion, Peacock Theatre – Review
Formed in 1993, Yamato has performed shows every year, in 54 countries and carried out nine world tours. That should…
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Classified, Tristan Bates Theatre – Review
Entering the small space to the sound of gunfire we saw all four cast members on stage in poses hinting…
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Fight Night, The Vaults – Review
Exit Productions is an interactive events company specialising in agency and involvement. Their latest offering at The Vaults – ‘Fight…
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