Fringe/ OffWestEndPhysical theatreReviews

Review: Murmurs Devoured By The Sea, Theatro Technis

Camden Fringe 2026

Rating

Good

A mysterious, enchanting and beautifully performed show that uses tissue paper in ways you never would have thought possible.

If you’re not one of the many theatre fans jumping on a train from King’s Cross to Edinburgh in August, then don’t worry. Just 10 minutes from the station you’ll find Theatro Technis, one of the many venues putting on shows as part of Camden Fringe. Much cheaper than a train to Edinburgh, and it’s still absolutely packed full of exciting, innovative and intriguing shows.

For just two nights Theatro Technis is home to Murmurs Devoured By The Sea, a mysterious, hypnotic and intriguing show that combines dance, movement and spoken word to transport us to the sea for a story of grief, madness and the power of the waves. 

There is no linear plot; the show flows around themes of grief, loss and childhood abandonment. Much is left to the audience to interpret which is part of the joy of the performance, while Tutu Ching’s writing and direction keeps us on the edge of our seats throughout. We’re transported to the coast through a soundtrack of waves crashing against the shoreline. When the soundtrack moves away from such literal depictions of the sea, the cast lift pieces of white tissue paper which rustle and easily transport us back to the coast. At one point, they use the tissue paper to depict a dolphin diving amongst the waves, a beautiful moment in the show. The use of tissue paper in all its guises throughout the show is an ingenious idea which has real impact despite it’s simplicity. 

There’s no exact plot, and at times it is hard to piece together. Just when it’s starting to feel like an art school project, something entrants us once again and the power of their movement lifts the piece to a higher level. The choreography is enchanting and a pleasure to watch. It feels organic and peaceful yet sudden moments of intense movement create real urgency at times which is unnerving. The cast are slick in their movement together, and it’s hypnotising. They’re powerful in their synchronised movement and command the small black stage with ease. Kyu Sim gives a particularly confident performance alongside Pearl Seraphina Lee, who plays her role with an air of mystery that’s entrancing. 

The music is another highlight of the show. It is a mix of live vocals from the cast and recorded tracks by sound designer Andy Ho. It almost steals the show at times, as tracks morph and twist to reflect the action on stage. The final duet, performed a cappella by Levenka Andrea and Charlotte Touboulic, is haunting and a beautifully still end to a show that challenges the emotions. 

Although the tale is mysterious and at times hard to follow, it’s a delight to submerge myself in the world of Murmurs Devoured By The Sea, letting the movement, sound and hints of story wash over me. 


Written, directed and produced by Tutu Ching
Assistant direction by Tiffany Yeung
Sound design by Andy Ho

Murmurs Devoured By The Sea has finished it’s run as part of Camden Fringe

Lily Middleton

Lily is a freelance copywriter, content creator, and marketer, working with arts and culture clients across the UK. When not working, she can be found in a theatre or obsessively crafting. Her love of theatre began with musicals as a child, Starlight Express at the Apollo Victoria being her earliest memory of being completely entranced. She studied music at university and during this time worked on a few shows in the pit with her violin, notably Love Story (which made her cry more and more with each performance) and Calamity Jane (where the gunshot effects never failed to make her jump). But it was when working at Battersea Arts Centre at the start of her career that her eyes were opened to the breadth of theatre and the impact it can have. This solidified a life-long love of theatre, whether in the back of a pub, a disused warehouse or in the heart of the West End.

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