Month: March 2026

Reviews

Review: Daisy Doris May: Big Night Out, Soho Theatre

Well-executed character comedy, even if it’s not quite pushing the form just yet.

Reviews

Review: John Proctor is the Villain, Royal Court

The #MeToo movement propels questions into Arthur Miller’s classic, told through the lens of American high schoolers.

Interviews

Interview: Deep Roots and Growth in Immersive Work for Young Audiences

Sue Buckmaster discusses Return to the Forest and 30 years of Theatre-Rites

Reviews

Review: Carmilla, The Space

When is an opera not an opera? When it’s spoken word, with a live score that dominates rather that complements…

Reviews

Review: Eyes See Song, Etcetera Theatre

Following a successful debut at the 2025 Lambeth Fringe, Eyes See Song provides a vulnerable, courageous space to listen, learn…

Interviews

Interview: Intimacy, Awkwardness, and Art

From critic to creator: Owen Thomas James discusses directing Nick Payne’s Wanderlust at South London Theatre, tackling intimacy, "cringe" comedy,…

Interviews

Interview: Isolation, Paranoia, and the North Sea:

Director Amy Clayton discusses Early Doors Productions' UK tour of LIGHTHOUSE, a "gripping twist" of a psychological thriller set in…

Reviews

Review: Catharsis, Bread and Roses Theatre

A slow-burn family reckoning that promises catharsis but settles for confrontation - engaging enough in the moment without ever quite…

Reviews

Review: Many Lifetimes, Sadler’s Wells Lilian Baylis Studio

Yewande 103 creates a stunning alchemical chamber for grief, inviting us to witness a ritual we cannot quite enter.

Reviews

Review: The Island Of Moor, The Hope Theatre

A captivating mystery drama following one determined individual through uncertain times; a large character filling his own small world.

Back to top button