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Tate Miller rounds up her 2024
The opportunity to review inventive and unique productions across the UK is definitely a privilege I receive with gratitude, and although sometimes at odds (depending upon the rating – hee hee!) the reciprocal relationship between reviewers and the arts is not only a vital facet of making performance more universally accessible but also of its continuity overall.
As critiquing theatre is rather subjective, I like to read the reviews (both past and current) of fellow ET members. This often provides great insight into other perspectives and also helps me to broaden my own viewpoint, which I think is important when trying to produce fair and authentic commentary.
It’s always fascinating to read about the ideas and concepts that inspired a production from the creatives themselves, and although it in no way effects the ratings it can affect the depth of detail I’m able to add to a review. I greatly appreciate it when artists share what inspired them and why, as their stories are equally as important as the shows they’re putting on.
So a big thank you to all who continue tirelessly to produce theatre and to ET for being generous enough to publish my humble thoughts about it. Here are a few stand out shows that I’ve had the pleasure of reviewing in 2024:
Alegría by Cirque du Soleil – Royal Albert Hall
A classic, grand and opulent production showcasing incredibly skilled and talented performers. This is a show inspiring awe and benevolent escapism that can appeal to even the most ardent non-theatregoer.
Lear by National Changgeuk Company of Korea – Barbican
The stirring choral singing in addition to the set design created a wonderfully epic production that aptly suited the heightened dramatics of this Shakespearean tragedy.
Please Right Back by 1927 – Southbank Centre
The combination of projected animation and live theatre was both impressive and very enjoyable to watch.
My Name Is Rachel Corrie – Old Red Lion Theatre
With censorship endangering the freedom of creative speech, this deeply important and relevant play about an American peace activist killed in Gaza, was bravely staged despite the risks of doing so. For me it really highlighted the opportunity reviewers have to amplify the voices of those who dare to go against the grain.
Want to have your “humble thoughts” shared with our readers as well? We’re always keen to expand our reviewing team and cover even more of the shows we’re invited to review. You don’t need lots of experience, just a love of theatre and spare time to write about it. You can find more information about joining the team and what’s involved here.
