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Review: The Death and Life of All of Us, Camden People’s Theatre

The Death and Life of All of Us, written and performed by Victor Esses, invites audiences on a journey through the depths of personal discovery, illuminated by the enigmatic presence of his Aunt Marcelle. Set against an ambient soundtrack that sets the stage for introspection, Esses' one-man show explores themes of family, identity, and the richness of life's narratives. The play begins with Esses, clad in darkness save for a small headlight, embodying the role of an explorer venturing into the unknown. It's a fitting metaphor for the audience as we embark on a quest to unravel the mysteries…

Summary

Rating

Ok

A trip to Italy to visit an unknown relative turns into a tale of self-discovery and acceptance for Victor.

The Death and Life of All of Us, written and performed by Victor Esses, invites audiences on a journey through the depths of personal discovery, illuminated by the enigmatic presence of his Aunt Marcelle. Set against an ambient soundtrack that sets the stage for introspection, Esses’ one-man show explores themes of family, identity, and the richness of life’s narratives.

The play begins with Esses, clad in darkness save for a small headlight, embodying the role of an explorer venturing into the unknown. It’s a fitting metaphor for the audience as we embark on a quest to unravel the mysteries of Aunt Marcelle’s extraordinary life. Through Esses’ captivating storytelling, Marcelle emerges as a larger-than-life figure whose tales resonate deeply with universal truths.

Esse’s narrative is infused with warmth and sincerity, his honesty shining through each anecdote. There’s a poignant message woven throughout the performance, urging us not to wait but to actively engage with our elders, to discover their stories before it’s too late. Marcelle’s refusal to conform, her conversion to love, and the hidden complexities of her life paint a portrait of a truly remarkable woman.

Yet, despite the heartfelt delivery and genuine emotion, the play struggles to find coherence. In its attempt to cover a broad spectrum of themes within a limited timeframe, it feels somewhat disjointed, leaving the audience adrift in Esses’ introspective journey and Marcelle’s narrative.

Amidst the narrative complexities there are, however, moments of inclusivity and innovation. Captions accompany the performance, enhancing accessibility, while mixed media elements such as projections and music add depth to the storytelling. Enrico Aurigemma’s use of a loop pedal to create a diverse musical score, ranging from light and warm tones to intricate compositions, is particularly noteworthy.

One of the highlights of the show is Esses’ ability to transport us to Marcelle’s favourite place — the golf club — where her spirit lingers. Through interactive elements like the ‘Never Have I Ever’ game, Esses cleverly engages the audience, planting seeds of relevance that bloom later in the performance.

Ultimately, The Death and Life of All of Us is a heartfelt tribute to Esses’ aunt, a testament to the power of storytelling and the importance of embracing our familial legacies. While the play may falter in its execution at times, its emotional resonance and evocative soundscapes linger long after the final curtain falls.


Written by: Victor Esses
Music by: Enrico Aurigemma

The Death and Life of All of Us plays at Camden People’s Theatre until 13 April. Further information and booking details can be found here.

About Rob Warren

Someone once described Rob as "the left leaning arm of Everything Theatre" and it's a description he proudly accepted. It is also a description that explains many of his play choices, as he is most likely to be found at plays that try to say something about society. Willing though to give most things a watch, with the exception of anything immersive - he prefers to sit quietly at the back watching than taking part!