William Shakespeare
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Sh*t-faced Shakespeare: The Merchant of Venice, Leicester Square Theatre – Review
The funniest thing in London right now. One of those have-to-be-there experiences, so I urge you: go be there.
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Will, The Rose Playhouse – Review
This is a truly unique piece of theatre, which incorporates modern dance and song to tell the moving story of…
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Macbeth, Wilton’s Music Hall – Review
Well performed and beautifully designed, but it was style over substance with no new insights into this familiar play.
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The Tempest, Jack Studio Theatre – Review
This all-female cast shine as they navigate storms and troubled waters, with some outstanding individual performances on board.
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Juliet and Romeo: A guide to long life and a happy marriage, Battersea Arts Centre – Review
Performers expertly blend dance and text together to tell a complex, fresh, yet universal story in this inventive piece of…
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Macbeth, The Rose Playhouse – Review
A compelling tale of power and ambition that is more relevant than ever, easily finding modern parallels in an age…
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Tomorrow Creeps, The Vaults – Review
An admirably ambitious experiment in reimagining Shakespeare that mostly misses the mark.
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Macbeth, Courtyard Theatre – Review
A wonderful, thoughtful production of a timeless play, beautifully performed by an all-female cast.
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Richard III, Cockpit Theatre – Review
Australian director Lawrence Carmichael fills Shakespeare's words with fresh meaning, offering a breath-taking drama and an unexpectedly amusing moment.
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The Tempest, Greenwich Theatre – Review
Gently blending British and Malawian features, this production epitomises intercultural theatre.
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