Three shorts which examine how and why we apologise.
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The Creature: Frankenstein Retold, Rose Theatre Kingston – Review
although the required parts of the play were present, it ultimately felt roughly put together.
Read More »Macbeth, Greenwich Theatre – Review
Extremely enjoyable, accessible production.
Read More »Darkfield’s Séance, Flight & Coma, Lewis Cubitt Square – Review
A spine-tingling trio of immersive experiences
Read More »Love, Loss & Chianti, Riverside Studios – Review
This pair of stylistically different but equally affecting 50 minute pieces by Christopher Reid are well-pitched to straddle the interface between poetry and drama. The first, Scatterings, is an ode to a middle-aged man’s late wife. Tender and mournful, its poignancy is somehow elevated by an absence of rage. Robert Bathurst has just the right sonorous tones for the part, and when Rebecca Johnson joins him to enact reminiscences from a holiday in Crete, or later hospital episodes (there’s a ...
Read More »Sky In The Pie, OSO Arts Centre – Review
This might look like a children’s show but fear not, it’s one us adults should try to reclaim for ourselves.
Read More »Interview: Say It Again, Sorry?
a theatre company that don’t think theatre should be experienced from the comfort of your seat
Read More »Zoo, VAULT Festival – Review
A beautiful, funny, epic piece of story-telling
Read More »The Musical of Musicals (The Musical!), Bridewell Theatre – Review
Sedos have nailed it once again with a magnificent ensemble performance.
Read More »Don’t Talk to Strangers, Vault Festival – Review
An entertaining and illuminating romp through astrophysics and humanity
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