The world isn’t short of new Sherlock Holmes stories. Several hundred have been written since Conan Doyle hung up his pen, and in the main they stick closely to the character of the original stories. So why is it that, when bringing Holmes to the stage, dramatists feel the need to give the famously asexual detective a love life? It started with the ill-fated Sherlock Holmes – The Musical, featuring a woefully miscast Ron Moody in platform heels (he was ...
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