technically impressive but hard to fall in love with

Shakespeare’s tale of deceit and malice is not an easy one to stage. Even with an interesting re-contextualisation set in the British Raj in 1919, the production at the Union Theatre fails to fully own this mammoth play.  The ‘green-eyed monster’ and the quintessential Machiavellian baddie Iago provide enough juice, drama, and betrayal to make a real meal out of. But to enjoy a meal one needs cutlery (bear with me on this metaphor), and that would be the actors. ...

Pros: A couple of strong performances Cons: Wavering American accents, stodgy direction, humourless script In 1882 Henrik Ibsen, reeling from the public outcry over the sexual frankness in Ghosts, wrote An Enemy of the People about one man daring to speak the truth at any cost. In 1950 it was adapted by Arthur Miller, keeping strictly to the same plot and scene structure but removing some of the more unpalatable references to eugenics – and it’s Miller’s version that appears ...

Pros: Soaring harmonies, immersive set design, and some truly terrific choreography throughout Cons: Several questionable directorial decisions plague the production Based on the novel by Jules Verne, Phil Willmott’s adaptation brings a musical theatre version of the Victorian classic to Union Theatre – sewn together by the talent of a young and aspiring cast. This reworking, which sees the addition of a variety of song and dance numbers to keep things interesting, stays true to the original in other respects, ...

Pros: The obviously enthusiastic cast make a decent attempt at Chekhovian drama. Cons: An awkward adaptation, misguided direction and a lack of depth let this production down. Why do we still love and perform Chekhov? Over a hundred years since the great Russian playwright’s death, this is a valid question, and one that director Phil Willmott tries to answer in his programme notes for Cherry Orchard (theThe has mysteriously vanished) at the Union Theatre. He wants to make the play ...

A lively and enjoyable mix of operatic and west end musical style songs, incorporating some excellent dance routines, with passion, betrayal and humour thrown in. 

An engaging and inventive retelling of an epic tale.

Director Phil Willmott talks criticism, directing at The Scoop and bringing Arthur Miller's 'Incident at Vichy' back to the stage.

Pros: A voyeuristic Chekhov. Clear and easy to follow with no extraneous detail. Staged well with intricate use of sound. Some audience members loved it. Cons: It lacks the weight required by the text. Character is often diluted to serve the pace of the storytelling. A short jaunt through the rain from Southwark Tube, the new locale of the Union Theatre is a stone’s throw from its previous spot, albeit on the other side of the road. With its cosy bar, ...

A musical play about two meandering lives, which has a meandering past of its own.