A fascinating performance of poetry, music, dance and movement

I think one of the things we will learn from this nightmare is the power of the people involved in the arts community Chloé Nelkin Consulting has been a leading name in the world of theatre PR since it was founded in 2010. A decade on and it’s a name that anyone involved in theatre is likely to have come across, having worked with countless shows and some of the best fringe venues in London. And right now, with theatreland ...

There is a song, Angles, by Dan Le Sac vs Scroobius Pip, about how nothing is as clear cut and simple as it might seem. In just three minutes and 56 seconds it speeds through four characters, all connected by one incident that has terrible consequences for all involved. Except each character sees themselves as the good guy, and views others involved as the bad one, as the one that is the cause of so many of society’s problems. Look ...

Pros: Mirabel is a highly original and emotionally affecting tale of loss and learning. Cons: The abstract narrative can be challenging and sometimes hard to follow. The end of the world has rarely been a cheerful affair. In films, television, novels, and of course, the Bible, the apocalyptic event has usually been described in terms of fiery chaos, fractured earth, and the horror of mass death. We are not short of inspiration for such imaginings, whether looking to the past, ...

POT is Heaven Can Wait set on an inner city council estate. It’s bleak, desolate, and full of abject hopelessness. It’s also essential viewing for anyone who cares.

Spun Glass Theatre Artistic Director Jessica Cheetham shares how 'Princess Charming' combines cabaret and children's theatre to get families talking about gender identity and stereotyping.

A timely and poignant reflection on human nature, but not a lot of fun.

Ahead of its Ovalhouse debut, director Suzanne Gorman shares how 'The Croydon Avengers' is telling a different kind of superhero tale.

Pros: Kuran Dohil’s professional stage debut is brilliant and side-splittingly funny. She captivates the audience with her powerful stage presence. Cons: Does well to avoid sweeping generalisations, but includes some religious stereotypes, especially in the portrayal of convert Simon. Guleraana Mir’s play Coconut tells the story of twenty-something Rumi, a Muslim ‘coconut’, brown on the outside, white on the inside. Rumi is a pork-scratchings-and-vodka kind of girl, instead of the modest girl her family and community want her to be. Just when she thinks she’ll never find ...

This interesting look at three generations of hopeful migrants is not substantiated by a consistent plot.