A unique, compelling and energetically performed two-hander

A bit of theatre magic

Mike Bartlett and the Almeida appear set to have an equally successful season for 2020

Sedos somehow manage to pull off the impossible in making this play as unique and unmissable as the original National Theatre production.

Pros: Thought-provoking storytelling from an excellent cast. Cons: The phlegmatic British attitude in the telling of the story left me a bit cold, but then I think that was the point. Fans of Mike Bartlett’s previous work (Dr Foster, King Charles III, Earthquakes in London) might be drawn to the Arcola Theatre in the hope of enjoying more of his writing, and they won’t be disappointed. Originally performed as a BBC radio play Not Talking now takes its stage premiere, and the text ...

This funny, moving and powerful production is effortless in its execution.

A classic Bartlett play that entertains while giving food for thought.

Another winner by Bartlett and Goold. Not one to miss, if you can get hold of tickets.

Euripides, in a new version by Mike BartlettDirected by Mike Bartlett★★★★ Pros: Bartlett seldom puts a foot wrong, and his adaptation of Medea is no exception. Cons: Perhaps overly and unnecessarily keen to keep some of the aspects of the classic tragedy format intact. Our Verdict: A brilliant introduction to a timeless classic, with an incredibly strong central performance from Rachael Stirling. Courtesy of Manuel Harlan for The Guardian Mike Bartlett has, to be honest, had a pretty awesome few ...

Original screenplay by Colin Welland, adapted by Mike BartlettDirected by Edward Hall★★★★ Pros: A solid cast and some moments that work amazingly well. Plus the awesome theme tune. Cons: Wore me out a little just watching that much running! Our Verdict: About the most patriotic piece of theatre you could hope to come out of Britain. Courtesy of Tristram Kenton for The Guardian I feel we should deal first with the criticisms that have been made of this production and ...