A captivating, imaginative production that uses tiny particles to make big things possible.

Such was the reaction to last year’s Reggies, we felt compelled to beg Brian to stage a sequel; so yes, we are proud to announce that the Reggies are back. Newly expanded to a ridiculously comprehensive seven categories, it’s a barometer of the best in London theatre during 2018. There may be only one person bestowing the Reggies, but there is a slavish dedication to fairness; sleepless nights agonising over who should be in, who should be out; yes Brian ...

Pros: A virtuoso performance from Milly Thomas both as writer and performer, easily holding the attention with the slightest glance or mannerism. Cons: A dissection of emotional frailties and dysfunctional relationships is often uncomfortable to watch. I had to steel myself reading the programme for this one woman, one act monologue written and performed by the brilliant Milly Thomas. The play begins with a sparse set populated with three mirrors and a long narrow table, which we soon learn is ...

A darkly sarcastic solo performance by a woman who committed suicide.