Claire Cunningham delivers a wonderfully inclusive performance that all together create something greater than the sum of its parts.

Pros: A well-constructed play with fantastically delivered performances and an interesting narrative Cons: Suspension of disbelief is required to accept the events of the story and a lot of unanswered questions remain at the end. As I entered Islington’s Old Red Lion Theatre, I was apprehensive as to how, in just over an hour, a play could effectively consider two such expansive topics such as psychosis and political conflict. It soon became clear that I needn’t have worried. Correspondence follows ...

This is a relationship drama that veers too often into the realm of soap opera. Possibly with another draft or two it will find a more natural shape and set its focus where it deserves to be.

A funny, profound and insightful look at eighty years of Irish history.