Lily currently works at an art gallery, you might know it, it's in Trafalgar Square. When not gazing at masterpieces, she can be found in a theatre or obsessively crafting. Her love of theatre began with musicals as a child, Starlight Express at the Apollo Victoria being her earliest memory of being completely entranced. She studied music at university and during this time worked on a few shows in the pit with her violin, notably Love Story (which made her cry more and more with each performance) and Calamity Jane (where the gunshot effects never failed to make her jump). But it was when working at Battersea Arts Centre at the start of her career that her eyes were opened to the breadth of theatre and the impact it can have. This solidified a life-long love of theatre, whether in the back of a pub, a disused warehouse or in the heart of the West End.
Review: Sherlock Holmes: The Valley of Fear, Southwark Playhouse Borough
Review: Oedipus Electronica, Brixton House
Review: The Human Voice, White Bear Theatre
Review: Cockfosters, Turbine Theatre
Podcast: Adding Some Colour with Moulin Rouge
Review: The Snowman, Peacock Theatre
Review: Seize the Cheese! A New Musical, New Wimbledon Studio
Review: Heathers The Musical, New Wimbledon Theatre
Review: Battersea Bardot, Studio at New Wimbledon Theatre
Review: Deadnamed, Museum of Comedy