This gripping, sweetly savage performance lures you in with its uneasy charm.
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This Is How We Die, Ovalhouse – Review
The show is meant to teach you that language is dead, but Christopher Brett Bailey articulates some very challenging ideas in such an articulate manner that it makes that statement hard to believe.
Read More »No strings attached (sort of)
From the wonders of War Horse to a giant, wall-penetrating elephant ghost: the UK's love affair with puppetry is in full swing this summer
Read More »Half A Can Of Worms, RADA Studios – Review
Amazingly poignant story, told with style and wit by a skilful exponent of the stand up genre.
Read More »Wunderkammer 4 – ‘When Hue Become One’, The Nursery Theatre – Review
A delightful evening of informative lectures followed by brilliant comedy. Must see for people who like to laugh.
Read More »Clive and other stories, The Asylum, Caroline Court – Review
A show where the future of English Opera is clear. A well-produced evening with talented singers but there were a few niggles felt by yours truly.
Read More »In Good Company, The Place – Review
The unique style and deeply philosophical themes of the company have created a show that won't leave you in peace.
Read More »A Catered Affair, London Theatre Workshop – Review
A fine affair through-and-through.
Read More »The Diary of A Nobody, White Bear Theatre – Review
A hysterically funny, faithful adaptation of a classic comedy.
Read More »Orpheus and Eurydice, The Rose Theatre Bankside – Review
There’s no better time or venue to see this mythical opera that can be enjoyed by all.
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