Reviews
Reviewing is at the heart of what we do. Here you’ll find all the reviews that our wonderful team have written. If you want to find something more specific, why not pick a genre of show instead from the menu.
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Review: Twenty Thousand Streets Under the Sky, Southwark Playhouse
Ordinary lives, fraught choices and the quiet tragedy of wanting more in a city whose narrow confines haven’t shifted in a hundred years.
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Review: Darkling, Bush Theatre
Darkling is an intense and incredibly important act of remembrance with a few teething problems.
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Review: Love’s Labour’s Lost, Bridewell Theatre
The lads can’t keep a promise so the girls call the shots in this cracking musical version of the Bard’s play
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Review: BRILLIANT BRITISH: Lingering Loves, Crazy Coqs
Amid saxophones and Art Deco glamour, a trio of evocative, love-laden tales unfolds, leaving a gentle reminder of the voices yet to join the chorus.
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Review: Night City, Southwark Playhouse
A physical and darkly cinematic show about London and the largely hidden workforce that keeps it going.
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Review: Talking People, Bush Theatre
An original, unpredictable and gripping piece of theatre.
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Review: The Human Voice / The Seven Deadly Sins, Charing Cross Theatre
A double bill of two short operas, The Human Voice / The Seven Deadly Sins is a lovely pairing dominated by a great leading vocal performance.
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Review: Bigfoot Ripped My Dog In Half I Saw It, Soho Theatre
A series of pranks spiral out of control in this energetic, precision piece.
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Review: Making Europe Audible & From The Edda, Cockpit Theatre
A double bill of contrasting contemporary opera performances that proves modern music is more accessible than you might imagine.
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Review: The Greater Good Company, The Hope Theatre
An entertaining mystery drama presents a well-rounded and believable debate on morality, with ever-shifting viewpoints.