Reviews
Reviewing is at the heart of what we do. Here you’ll find all the reviews that our wonderful team have written. If you want to find something more specific, why not pick a genre of show instead from the menu.
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Mental, Assembly Roxy – Review
Pros: Excellent songs, use of sound clips and lights make this play stand out. Kane Power is a confident performer who balances the light and shade of the piece. Cons: As the volume is turned up to 11, the lights…
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Prom Kween, Underbelly Cowgate – Review
A riotously fun crowd-pleaser which wraps glitter and fluff around an intelligent and utterly convincing message.
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Scribble, Assembly Roxy – Review
An admirable OCD awareness agenda and an enthusiastic team is hampered by a guest acting challenge and a patchy story.
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Out – Underbelly @ Edinburgh Fringe – Review
Pros: Great music and sound, riveting movement, a lot of vitamin C Cons: More guidance about context before the show would have enhanced the experience. We filed into the space as two performers (one male, one female) danced beside each…
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The Man on the Moor, Underbelly Cowgate – Review
Affecting and lyrical story of families existing in the wake of a loved one’s disappearance.
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Secret Life of Humans, Pleasance Courtyard – Review
An agile, clever - but occasionally unbalanced - journey to the centre of human nature.
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America’s No.1 Detective Agency, Drayton Arms Theatre – Review
Pros: Captures the era with plenty of funny moments. Cons: Too convoluted to follow. Inspired by film noir of the 1940’s, including classics Mildred Pierce and The Third Man, Fatale Femme give us America’s No.1 Detective Agency, a comedic outing to…
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Boom, Theatre503 – Review
A well-written piece of laugh-out-loud theatre that isn’t as deep as it might want to be, but is funny enough that that really doesn’t matter.
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Mrs Orwell, Old Red Lion Theatre – Review
A deservedly dramatised final episode of George Orwell’s life, and the lives of those around him, with heightened tension and a dash of humour.