Musicals

The triple-threat of music, dance and drama and another staple of the London theatre scene. There are plenty of musicals on the West End, but it’s the Off West End where you’ll find the new stuff, so don’t be afraid to jump in!

  • Little Miss Sunshine, Arcola Theatre – Review

    It’s tricky to keep preconceptions at bay when you know that the plot and style of a film has been a winning combination. The 2006 film that is the basis of Little Miss Sunshine, which starred Abigail Breslin as the…

  • Liza Pulman Sings Streisand, Lyric Theatre, Shaftsbury Avenue – Review

    Any show suffixed with the words ‘Sings Streisand’ is always likely to fall between two stools. Is it going to be a singer performing her songs, or a tribute act trying to sound like her? Either way I sensed the…

  • Romance Romance, Above The Stag Theatre – Review

    This was my first visit to Above The Stag’s latest premises, and I think it’s the slickest building they’ve inhabited to date. It’s still under railway arches with regular distracting rumbles from the trains, but there’s a large bar area…

  • The Pirates of Penzance, Wilton’s Music Hall – Review

    After several years of clashing diaries and missed opportunities, I finally made it to the legendary Wilton’s Music Hall in Whitechapel. John Wilton’s magnificent music hall was opened in 1859, and has survived the obligatory fire and demolition notice on…

  • Fame – The Musical, New Wimbledon Theatre – Review

    In Italy, where I grew up, the TV series Fame was broadcast in the afternoon, when families would enjoy it gathered after lunch. As a young child, I wouldn’t pay much attention to the topics, but rather enjoy the musical…

  • The Problem With Fletcher Mott, Drayton Arms Theatre – Review

    There is something exhilarating about seeing a work in progress, especially when it’s from a team surely only just out of their teens!  There’s an energy created you just don’t get at normal press nights. Ok, so that’s because the…

  • Can Can, Union Theatre – Review

    In late 19th century Paris, a bawdy new dance was born. The can-can grew from the seductive dances of Moulin Rouge courtesans into a high-energy show involving high kicks, splits, and exposed undergarments. Back then, you would have to go…

  • Avenue Q, New Wimbledon Theatre – Review

    The residents of Avenue Q are a somewhat peculiar pick ‘n’ mix of colourful puppets, unlikely couples and a monster or two, all sharing in dreams, concerns and uncensored humour. It’s children’s programme styling -denoted by chirpy repetitive tunes, bright…

  • The Half Moon Shania, The Vaults – Review

    Feminism and fishnets, punk and precarious friendships, The Half Moon Shania shakes the Vaults Festival in this punk/rock opera reverberating with energy and poignancy. The show evokes youthful excitement and naivety within a dark smoky world. The rush and the…

  • VIOLET, Charing Cross Theatre – Review

    Pros: Excellent musicianship and a good range of song styles Cons: Lack of memorable tunes and a confusing storyline Calling all producers! Please stop pasting microphones to your singers’ foreheads! If you can’t hide them under their hair (although, why?)…

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