Opera
Contrary to the opinions of some, opera is so much more than the fat lady singing. Whilst opera does still struggle with a reputation of only being for the rich and upperclass, there are plenty of companies making opera for the fringe audience and we’ll always here for that!
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Noh Time Like The Present, LSO St Luke’s – Review
Pros: A rare opportunity to appreciate a form of theatre which has been performed without interruption since the 14th century. Cons: As with anything out of the ordinary, this show can be quite challenging to follow, due to the lack of…
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Madam Butterfly, King’s Head Theatre – Review
An accessible production with some captivating performances.
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Scenes from the End, Tristan Bates Theatre – Review
Pros: Héloïse Werner’s hauntingly beautiful, intense and masterful performance. Cons: The abstract nature of the piece means that it is sometimes hard to empathise with the characters and to feel a connection with the emotions portrayed. Grief is a personal experience…
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Rough for Opera #14, The Cockpit – Review
If you are open to an evening of experimental theatre, you will not regret it.
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La Bohème, King’s Head Theatre – Review
Humour outweighs tragedy in this enjoyable new version of a classic romantic opera that takes audience participation to the next level.
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Gianni Schicchi / Pagliacci, Arcola Theatre – Review
Fantastic value (if slightly too up-close for some) double bill in London's most exciting opera festival.
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Drifting Dragons, Arcola Theatre – Review
This site-specific piece offers simplistic opera in a great location with good performances from all.
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Coriolanus and Du Liniang, Peacock Theatre – Review
This is a stunning production but at over 3.5 hours long, and in such a hot theatre, it was difficult to stay engaged throughout.
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Popup Opera: I Capuleti e I Montecchi, Carousel – Review
A close-up on opera, where Bellini’s bel-canto is stripped down to its delightful essence.
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Mirror Mirror, King’s Head Theatre – Review
A very funny and accomplished panto that wears its cleverness lightly.