Opera
Contrary to the opinions of some, opera is so much more than the fat lady singing. Whilst opera does still struggle with a reputation of only being for the rich and upperclass, there are plenty of companies making opera for the fringe audience and we’ll always here for that!
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Acis and Galatea, Arcola Theatre – Review
A delightful production of this pastoral opera.
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Werther, Arcola Theatre – Review
Glyndebourne can wait – this beautiful production of the tragic story of Werther and his beloved Charlotte will move you to tears.
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The Ring Cycle, The Scoop – Review
An outdoors production south of the river that outshines the West End, this transformation of Wagner’s well-known 19th Century opera will convert any theatre-phobe.
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The Medium, Arcola Theatre – Review
A mixed bag: strong performances teetering on top of weaker production elements.
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The Immortal Hour, Finborough Theatre – Review
This skilful revival of a British faery opera inspired by Celtic mythology is a centenary production well worth seeing.
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Gloria – A Pigtale, Linbury Studio, Royal Opera House – Review
This may be a stretch for traditional opera buffs but if you fancy something a little different and you’re in need of lightness and laughter, then this is the perfect evening for you.
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Diaghilev Festival Gala, London Coliseum – Review
An incredible programme of Russian opera and ballet that had us all clapping until our hands hurt!
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Le Coq D’or (The Golden Cockerel), London Coliseum -Review
A lovely, comic revival of a rarely performed Russian opera celebrating iconic Russian culture.
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Cosi Fan Tutte, The Tea House Theatre – Review
This performance showcases the skill and originality you'd expect to see in venues like The Royal Opera House, but on a one-to-one experience that makes you fall in love with opera all over again.
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Clive and other stories, The Asylum, Caroline Court – Review
A show where the future of English Opera is clear. A well-produced evening with talented singers but there were a few niggles felt by yours truly.