Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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H.M.S. Pinafore, Hackney Empire – Review
This classic Gilbert and Sullivan piece is given a new lease on life under Sasha Regan's inspired direction.
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The Social Notwork, Lion and Unicorn Theatre – Review
A well written and enthusiastically acted piece with superbly rendered characters. The whole play shows great potential, but seems a little reticent to delve into deeper issues.
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The Easter Rising and Thereafter, Jermyn Street Theatre – Review
An innovative approach to storytelling, as leading figures from Irish history cross swords in a rousing clash of ideals.
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Hamlet, Who’s There?, Park Theatre – Review
Pros: An incredible Hamlet, internally desperate and silently anguished, and a claustrophobic and unnerving atmosphere Cons: Heavy abridgement, and slightly hammed up Ophelia and Gertrude. Back to the Park Theatre, and back to Hamlet, this time abridged and renamed Hamlet,…
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Closer Than Ever, The Pheasantry – Review
Amusing revue show set in a venue with a speakeasy vibe.
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Bards without Borders, Rich Mix – Review
A worthy idea for a Shakespeare 400 tribute, thwarted by fuss and lack of focus.
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Sket, Park Theatre – Review
Pros: Hilarious, recognisable and dark in equal measure, this hits all the spots in one solid hour of entertainment. Cons: The ending is abrupt and less well-rounded than the rest of production, and feels as though it misses something. On…
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I Am Thomas, Wilton’s Music Hall – Review
I Am Thomas is a smart, funny, stylish and thoroughly Scottish paean to a forgotten subversive.
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Fables For A Boy, LOST Theatre – Review
With more than a passing nod towards Tim Burton, this is a play for those who like things that little bit darker.
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Your Ever Loving, Theatre N16 – Review
The story of Paul Hill is told with just the right balance of sensitivity, brutal reality and humour. It is an incredibly thought provoking and engaging play.