Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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Animus, Laban Theatre – Review
An interesting story with powerful performances in a beautiful theatre.
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Goats, Royal Court Theatre – Review
Goats starts with a strong premise and some powerful scenes, but a confusing narrative, a muddled set and patchy performances fail to do it justice.
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Menagerie, House of Kittens – Review
An evening of supposed "erotic storytelling", Menagerie frustrates due to an overly full venue.
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Crick Crack Club’s 30th Birthday Bash, Rich Mix – Review
Dipping a toe in childhood and being allowed some naughty anecdotes is a privilege reserved for grown-ups.
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White Pearl, Rich Mix – Review
Fearlessly confronting issues of racial and national identity, xenophobia and political correctness, White Pearl is both timely and watchable. Some characters’ habits and actions do irritate, but overlook them to enjoy this thought-provoking play.
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The Vanek Trilogy, Secret Location – Review
An intimate immersive theatre experience that packs an unexpected punch.
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Privates on Parade, Union Theatre – Review
A fabulous and flamboyant farce overflowing with feel good factor.
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The House of Bernarda Alba, Cervantes Theatre – Review
A right hook of a play held up on the shoulders of a clutch of powerful performers who give their all.
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Sex Worker’s Opera, Ovalhouse – Review
Actual sex workers hit the stage with a performance that is hard to forget.
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Macbeth, Courtyard Theatre – Review
A wonderful, thoughtful production of a timeless play, beautifully performed by an all-female cast.