Drama
A staple for us and for many if you fancy a more traditional play. When we first started Everything Theatre it was specifically to review drama. We’ve branched out over the years, but it will always be a favourite of ours.
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The One, Soho Theatre – review
A powerful, witty and at times shocking dissection of a relationship.
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Romeo & Juliet, Waterloo East – Review
Pros: Much deserved applause for all actors that can recite Shakespeare without a breath. Cons: These performers need a bigger stage! Shakespeare’s Romeo & Juliet is one of my favourite pieces of writing, so I was hugely excited to be watching a…
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For King and Country, Southwark Playhouse – Review
Pros: The cast can sustain tension and passion; it is genuinely moving to watch this less-discussed side of WWI history. Cons: A stiflingly hot venue makes several audience members lose concentration; due to the thrust stage, some lines are hard…
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The Diana Tapes, Stockwell Playhouse – Review
Pros: The design is well polished. Cons: Everything else. In 1991, tabloid columnist Andrew Morton was approached by one of Princess Diana’s closest friends with a daunting request that he couldn’t refuse. He was asked to write her biography. Tired…
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A Lesson from Auschwitz, New Wimbledon Theatre – Review
Pros: By honing in on Höss, Hyland’s play doesn’t choose the obvious Holocaust perpetrators (Hitler, Himmler, Mengele et al). Cons: Crescendos in Höss’ speech become distracting; likewise, proximity to the audience and prolonged emphasis of gestures can overkill the intensity.…
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Sardines, Drayton Arms Theatre – Review
Pros: Sharp writing and good performances characterise this collection of scenes set in a tube train Cons: The lack of connection between the stories means we’re constantly having to get to know new characters “Make sure you take your belongings with you…
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Misanthrope, Camden’s People Theatre – Review
Pros: Very entertaining and well acted performance which reminds us how relevant Molière’s plays still are today. Cons: The political point that Furlong tries to make is forced and doesn’t fit the play. In his preface to Tartuffe, Jean Poquelin, better known…
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Machinal, Almeida Theatre – Review
Pros: A brilliantly constructed set is a visually stunning accompaniment to the play. Cons: The disappointingly clipped nine episode format slows the plot down far too often for its own good. The Almeida is one of my favourite theatres so I pounced…
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Left My Desk, New Diorama Theatre – Review
Pros: Brilliant and politically sensitive script, fantastic cast and great direction Cons: Nothing to report A joint research report from Community Care and UNISON from 2016 found that social workers are suffering increasing emotional distress and verbal abuse in their routine work…
