Everything Theatre Reviews, interviews and news for theatre lovers, London and beyond

The bare essentials are there but needs to be hit at us with confidence.

Characters and plot need work to help the audience empathise.

This play has it all; it’s impeccably written, comedic, dark, atmospheric and perfectly performed. Here’s to another 50 years of Little Malcolm!

Pros: 70 minutes of faultless acting and impeccable design, with heart-wrenching writing to boot. Cons: If you’re looking for current affairs or a satirical view on capital punishment, this is not the play to find it Debbie Tucker Green and I have history: a fleeting four weeks, the existence of which is nothing to her but has marked me for life. This was my first term at drama school, in all its daunting and built up glory, and we set upon our ...

The ideal combo of effortless humour with a subtly dark undertone.

A witty, dark and angry play in a guise of comedy, with a cracking performance that’s necessarily grating and perfectly timed.

Balances everything perfectly from humour to emotional integrity. Then spins it all together in a story that is eye-opening and human.

An important piece of theatre that needs to be seen. It is fascinating and combines artistry and personality.

Eye-opening and ear-poppingly shocking. With subtlety and wit in equal measure, we’re told a story that actually matters.

Clever, pacey and fluid. We are carried along the plot so smoothly that we lose a sense of our own time and space.