Mary Pollard
By her own admission Mary goes to the theatre far too much, and will watch just about anything. Her favourite musical is Matilda, which she has seen 17 times, but she’s also an Anthony Neilson and Shakespeare fan - go figure. She has a long history with Richmond Theatre, but is currently helping at Shakespeare's Globe in the archive. She's also having fun being ET's specialist in children's theatre and puppetry! Mary now insists on being called The Master having used the Covid pandemic to achieve an award winning MA in London's Theatre and Performance.
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Review: Odds On, An Interactive Short Film
A stunningly clever hybrid of intimate drama, film and gameplay
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Review: The Making of Pinocchio, Battersea Arts Centre
An enormously funny, brave and bold story.
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Interviews
Interview: There’s Always Room on Our Broom
Tall Stories' Olivia Jacobs tells us about bringing a new version of Room on the Broom to the West End
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Review: Marvin’s Binoculars, Unicorn Theatre
A dynamic, optimistic production with a great cast and important messages.
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Review: Tristan and Isolde, Coronet Theatre
A breath-taking and exhilarating depiction of Wagner’s epic tragedy
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Review: The Paper Dolls, Polka Theatre
Expect laughter, dinosaurs, tigers, starlight and a spot of sibling spite.
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Interviews
Interview: Bringing Science Into Theatre
Curious Directive's Jack Lowe on Spindrift and creating a new theatre space
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Review: I Want My Hat Back trilogy, Little Angel Theatre
Hysterically funny and stunningly imaginative.
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Book Review: Making Hip Hop Theatre: Beatbox and Elements
this book is a manifesto for possibilit
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