Lily Middleton
Lily is a freelance copywriter, content creator, and marketer, working with arts and culture clients across the UK. When not working, she can be found in a theatre or obsessively crafting. Her love of theatre began with musicals as a child, Starlight Express at the Apollo Victoria being her earliest memory of being completely entranced. She studied music at university and during this time worked on a few shows in the pit with her violin, notably Love Story (which made her cry more and more with each performance) and Calamity Jane (where the gunshot effects never failed to make her jump). But it was when working at Battersea Arts Centre at the start of her career that her eyes were opened to the breadth of theatre and the impact it can have. This solidified a life-long love of theatre, whether in the back of a pub, a disused warehouse or in the heart of the West End.
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Features
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Review: Countess Jeanne and the Necklace Scam, Drayton Arms Theatre
Indulgently silly interpretation of an historical event.
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Review: Iphigenia in Splott, Lyric Theatre (Hammersmith)
A startingly powerful performance that will leave you breathless.
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Review: I Heart Michael Ball, Camden Fringe 2022
A powerful and startlingly shocking show
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Review: The Six Stages of A Break Up, Camden Fringe 2022
A one-woman show disguised as a podcast.
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Review: That’s A Bit Of Sheer Luck! – A Sherlock Holmes Parody, Omnibus Theatre
A very silly parody, filled with more puns and jokes than you could ever imagine.
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